13106

Corelle licensed absorbent stoneware coasters are printed with vibrant permanent colors and continually absorb moisture. Set includes four coasters.

? Extremely clear like real glass - no artificial coloring used ? Unbreakable - chip and scratch resistant ? Stain resistant ? Reduced liability issues ? Safe and convenient for children, handicapped and assisted living ? Tumblers are stackable for easy delivery, storage and handling ? Cost effective ? Excellent for all outdoor activities - pools, patio, barbeque, sporting events, picnics and many more ? Dishwasher, microwave and freeze safe ? Environmentally friendly - Recyclable green product ? Custom imprinting available ? Designed and manufactured in Europe

James Taylor's mid-'70s departure from Warner Bros. may be one of the best things that ever happened to the label; otherwise, it might not have been in such a rush to compile his Greatest Hits, one of the company's biggest sellers ever at 11 million and counting. Taylor's style, which all but defines the word diffident, has more backbone than it's often given credit for. Here, as surprisingly complex songs like "Carolina in My Mind" (in a newly recorded version) and "Steamroller" stack up, he sounds like an artist worth spending some time with. At the least, few of his singer-songwriter cohorts came up with a melody as lovely as "Sweet Baby James." --Rickey Wright

CD > POPULAR MUSIC > ROCK

The myth of the American West--lawless lands, resolute heroes--takes on a grave, elegiac quality on this first, and best, collaboration from Waylon Jennings, Willie Nelson, Johnny Cash, and Kris Kristofferson. There's little bravado here, just a sense of ticking time, of frontiers lost, cowboys singing their last songs. In the end, Highwayman works because it fuses mythic, serious material with the artists' own legendary personas and well-aged voices. Lesser lights would be lucky to muddle through Jimmy Webb's epic title track; these four cagey desperados make every fantastic image believable. If Chips Moman surrounds them with less than subtle layers of guitars, keyboards, and drums, he does update vintage progressive country in a suitably cosmic but rugged fashion. Romantic legends and production values notwithstanding, it's the tough, wise singing here that's the real draw. --Roy Kasten

How much banjo can one fan stand? This release should delight those five-string aficionados for whom too much plunk is never enough. Veteran virtuoso Tony Trischka enlists the services of fellow banjoists ranging from seminal inspirations (Earl Scruggs) to pupils and acolytes (Béla Fleck, Alison Brown) to wild cards (comedian Steve Martin) for a series of duets supported by stellar bluegrass musicians such as Sam Bush, Jerry Douglas, and members of Union Station. Most of the tracks are instrumentals, though Dudley Connelly provides vocals on traditional bluegrass standards such as "Fox on the Run" and "Live and Let Live," with Nickel Creek mandolinist Chris Thile and frequent duo partner Michael Davis teaming for harmonies on "Run Mountain." The musical interplay throughout is predictably superb, but the three cuts pairing Trischka with Fleck suggest that another extended teaming of mentor and prized student would truly be something special. --Don McLeese

No Description Available.Genre: BluegrassMedia Format: Compact DiskRating: Release Date: 23-JAN-2007

GL-13106 : Blue And Yellow Rubber Gl Lrg : : (Other Industrial Gloves)Blue And Yellow Rubber Glove

Aluminum alloy Xtralite�� mounting is lightweight but very strongResilient DuraSoft�� handle provides a soft feel, reduces fatigue, and offers excellent durabilityStainless Steel BladeU.S. Patent Nos. 5,522,111 and 5,713,096