Cornelia

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Studio: Kino International Release Date: 03/01/2011

Rudyard Kipling himself couldn't have imagined scenes more stunning than the ones captured by the creators of The Second Jungle Book: Mowgli and Baloo. The film, a live-action follow-up to Disney's 1994 Jungle Book feature, attaches itself to the loincloth of young wolf-raised Mowgli as he leads a gang of greedy grown-ups on a wild goose chase through the jungles of India, circa 1890. In the course of this breathless caper, a visual delicacy is cooked up. Eyes of all ages will be loath to wander from the screen as it shifts from one color-drenched, wildlife-rife scene to the next. The animals, more than the wilderness, are what give this film its Eden-like quality--Mowgli protectors Bagheera the panther and Baloo the bear, as well as wolves, tigers, a pack of prowling monkeys, and even exotic snakes of the deadly variety all mix and mingle to gorgeous effect. And that's not to give the tale unraveling all the while short shrift. Kipling, of course, never once spun a second-rate story, and this adaptation doesn't tinker with way-off ideas of its own. Bill Campbell is fully believable as an Indiana Jones-like circus scout, and Roddy McDowall is at his eccentric best as a cave-dwelling monkey commander. --Tammy La Gorce

SECOND JUNGLE BOOK:MOWGLI AND BALOO - DVD Movie

One of the spookiest ghost stories ever put to film, The Uninvited is also one of the few classic haunted-house movies to treat the subject with respect and seriousness. Ray Milland and Ruth Hussey play a brother and sister who leave the city to live in a beautiful old house dramatically perched on a cliff overlooking the Cornish coast. As they discover some of the house's peculiarities--the unexplained chill that settles in certain rooms, the aroma of mimosas that wafts through the house, flowers that wilt when brought inside--they are told by local girl Gail Russell that the house is haunted, by the spirit of Russell's mother no less. The rationalist city folk first scoff at the idea but as Milland slowly falls in love with the frightened girl he investigates the legends and discovers some startling hidden truths. Donald Crisp costars as Russell's humorless, hard-bitten grandfather who forbids her visits to the house. Handsomely shot against the beautiful Cornish countryside, director Lewis Allen wisely suggests more than he shows and the uneasy tone and quietly restrained direction looks forward to such films as The Haunting and The Legend of Hell House. Though Allen ultimately reveals a suitably spine-tingling apparition, some of the film's best moments are chilling in their simplicity: nocturnal moans, slamming doors, and the dog's whimpering fear of the upstairs. --Sean Axmaker

Tony Manero (John Travolta) in Saturday Night Fever and Dirk Diggler (Mark Wahlberg) in Boogie Nights have one major thing in common: They both have posters of Al Pacino as Serpico on their bedroom walls. As the real-life NYPD detective whose integrity cost him virtually everything (and almost cost him his life), Pacino became one of the icons of gritty, realistic 1970s filmmaking. Released in 1973, between the first two Godfather movies, this is the true story of Frank Serpico, a long-haired, idealistic, iconoclastic cop who reluctantly goes undercover to investigate dirty colleagues who are on the take. This is one of the definitive Pacino performances, along with his role as Michael Corleone in the Godfather saga, and Sonny the bungling bank robber in Dog Day Afternoon (which reunited him with his Serpico director, Sidney Lumet)--and Pacino was nominated for a best actor Oscar for all of them (although he wouldn't actually win until 1992's Scent of a Woman). --Jim Emerson