Lilly

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A reusable cold drink tumbler WITH a straw, in my favorite Lilly Pulitzer Navy Bloomers print pattern? Yipee! Yes, you can now sip and slurp with stylish Lilly Pulitzer tumblers! Keep cool in summer with your iced coffee to go, or tote your iced tea to the pool in these acrylic tumblers with straw. Then keep yourself hydrated at the office or in class with these designer tumblers. Buy 2 or 4 or more and make a set that can be used again and again at all your Lilly Pulitzer parties or gatherings! Dishwasher SafeBPA-, Phthalate-, and Lead-Free20 ouncesAcrylic tumber with lid and straw

It's Not Me, It's You, is the follow-up to Lily Allen's critically acclaimed 2007 debut, Alright, Still. The album finds Lily in top form, creating a record Blender's recent "In The Studio" feature described as "part God, part country and all middle finger." Allen wrote and recorded the album's 12 songs with producer Greg Kurstin (the bird and the bee), who worked with her on three songs for Alright, Still - "Everything's Just Wonderful," "Alfie" and "Not Big." On It's Not Me, It's You, Lily's characteristically sharp observations find expression in a variety of musical styles, with influences ranging from the Jazz Era to country and western to dance music. "Highlights include `Everyone's at It,' a synth-pop song about prescription drugs that features Allen on xylophone; `He Wasn't There,' which matches emotional lyrics about her absent father to a jazz groove; and `Not Fair,' a saucy country song about an inadequate lover," said Rolling Stone. "We decided to try and make bigger sounding, more ethereal songs, real songs," says Lily, who will be touring the U.S. in the spring. "I wanted to work with one person from start to finish to make it one body of work. I wanted it to feel like it had some sort of integrity. I think I've grown up a bit as a person and I hope it reflects that."

French edition includes one bonus track, '22' featuring French singer Ours. EMI. 2009.

No Description Available.Genre: Popular MusicMedia Format: Compact DiskRating: PARelease Date: 30-JAN-2007

Being, as she is, the daughter of prominent British actor Keith Allen, the cynics could easily dismiss the rise of Lily Allen as an act of backroom nepotism, a talent-free starlet helped to the stage by the right connections. But one listen to her debut album Alright, Still dispels any doubts about young Ms. Allen's star quality. Possessed of a feisty wit and taste for urban storytelling that should see her compared to Mike "The Streets" Skinner, these 11 tracks of sunshine-friendly reggae-pop cover topics including frustrating potential closing-time suitors ("Knock 'Em Out"), being happy when your ex is having a bad time ("Smile"), and having a little brother who likes a bit of a smoke--and not just of the tobacco variety ("Alfie"). Wisely, however, Allen doesn't let the grittiness of the subject matter tarnish the golden pop suss of the songs, a suite of gleaming productions by names including Mark Ronson and Gwen Stefani collaborator Greg Kurstin that take inspiration from the lighter end of reggae and vintage rocksteady. Doubtless some corners of the press will pillory her as a poor role model, but there's an engaging honesty to the likes of "LDN"--a love song to a city filled with teenage muggers, pimps, and crack whores, narrated by someone who's cycling because "the filth took away my license." Like father, like daughter. --Louis Pattison

Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilization in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike; nonetheless, the set comes with two discs of extras. One of the best features is "LOST in 8:15," which is a rapid-fire summation of the series thus far in eight minutes, 15 seconds. Narrated by a hilariously droll female, it includes lines such as "Jack meets Kate. Kate stitches up Jack. They bond." and "They see Jack play football with Mr. Friendly. Mr. Friendly throws like a girl." The featurette "The Right to Bear Arms" takes a fun look at the prop masters responsible for supplying the castaways with guns--and keeping track of who has one and who doesn't (best here is Sawyer's (Josh Holloway) assertion that characters often cock their guns just to look cool), and cast members Lilly, Garcia, Yunjin Kim, and Daniel Dae Kim provide a few of the commentaries. The major Blu-ray extra is "The Course of the Future: The Definitive Interactive Fast-Forwards." After you solve a puzzle in which you have to arrange the 10 flash-forward segments in chronological order (don't worry, you get some help), you can watch all the segments (about 53 minutes total) in a variety of ways: chronological (that is, the order in which they happened, not in which they were aired during the season) with an introduction by executive producers Carlton Cuse and Damon Lindelof and cast members; chronological with an amusing intro by Cuse and Lindelof and with pop-up script excerpts that offer insight into the writers' intentions; or chronological following a specific character (Jack, Kate, Sayid, Hurley, Sun, Aaron, Ben). The convenient "Season Play" feature helps you keep track of which episode on which disc you're watching. And with its lush Hawaiian scenery and uncompressed sound, Lost is simply the best-looking and -sounding Blu-ray TV show around. --Ellen A. Kim, with David Horiuchi

Studio: Buena Vista Home Video Release Date: 12/09/2008 Run time: 91 minutes Rating: Pg

The wonderful Leslie Caron stars in this Oscar-winning musical fable with a touch of the bizarre. Caron plays Lili, a recently orphaned waif hopelessly in love with a carnival magician. Mel Ferrer plays Paul, a gruff puppeteer who can express his softer side only through his puppets. Sound weird? It is. Caron's performance is lovely. She is, as always, a graceful dancer, but she is also able to pull off the much more difficult task of making Lili pure and innocent without being icky--she talks to Paul's puppets with complete conviction. (The puppets, by the way, are incredibly creepy.) Younger viewers will take Lili at face value, but adults may well get sucked into its unintentional dark side: homelessness, suicide, emotional repression, and giant dancing puppets all come into play. Also enjoyable is Zsa Zsa Gabor, who does a great job standing around looking pretty as the magician's assistant. --Ali Davis

A shy young orphan who learns the truth about love with the help of a crippled puppeteer (Mel Ferrer).

Display these self-sustaining solar lights as gorgeous art pieces among the flowers in your garden or yard. The vividly illuminated lily flower changes color, while the illuminated stem remains green. Use the lily head in the summer and the extra starburst head (included) in the winter, for beautiful seasonal decoration year-round. 1-year product warranty, return and refund within one year of purchase.