Margaret Smith

Historic Print (L): Margaret Chase SmithThis is a museum quality, reproduction print on premium paper with archival/UV resistant inks. Date: 1943Subject: SOURCE: Library of Congress

Historic Print (M): Margaret Chase SmithThis is a museum quality, reproduction print on premium paper with archival/UV resistant inks. Date: 1943Subject: SOURCE: Library of Congress

Historic Print (S): Margaret Chase SmithThis is a museum quality, reproduction print on premium paper with archival/UV resistant inks. Date: 1943Subject: SOURCE: Library of Congress

A collection of well known Looney tunes cartoons featuring the animation of Tex Avery, Chuck Jones, Friz Freleng, and Robert McKimson.Genre: Children's VideoRating: NRRelease Date: 14-NOV-2006Media Type: DVD

Absolutely one of the most hilarious movies ever made, this classic farce featuring the outrageous genius of the Marx Brothers is a chance to see some of their best bits woven together seamlessly in a story of high society, matchmaking, and chaos. In order to bring two young lovers together, brothers Groucho, Chico, and Harpo must sabotage an opera performance even as they try to pass themselves off as stuffed shirts. Featuring the classic sequence where Groucho piles as many people as possible into a ship's stateroom, A Night at the Opera is a deliciously zany romp worth watching again and again. --Robert Lane

Groucho's business schemes bring Milan's finest opera stars to New York, but Harpo and Chico stow away and arrive too and nearly create a riot on ship

The characters of Daniel Handler's popular children's book series spring to life in this playfully macabre screen adaptation from director Brad Silberling. Contemporary scoring master Thomas Newman may launch the musical proceedings with the brief, Disney-esque flourish of "The Bad Beginning," but the sound of a needle being brusquely dragged across that record brings us to the composer's true intent: a teasing romp through occasionally dark, rhythmically charged musical corners. Employing his patent take on post-modern impressionism to a greater degree than he did in Finding Nemo, Newman gives a decidedly contemporary spin to the oft-cliched concept of children's music. His score is a an inviting fusion of his tense, ever-inventive, ensemble studio concoctions and a Euro-Goth sensibility inspired by the film's visual sense. Alternately bright and brooding, with a surprise at nearly every turn (not the least of which is "Loverly Spring," a full reprise of the score's creepily saccharine opening song), Newman's score is yet another tribute to his restless, seemingly boundless creativity. --Jerry McCulley

The Callanetics video itself is dated. 1986 I do believe is the original publishing date. There is no fancy stage production, no fancy clothes and extremely low key, soft, meditative music. I am not thrown off by this and as long as I enjoy something, it does not matter to me. I have always done Pilates and instead of giving me energy afterwards, I was usually so relaxed I would go straight to bed. I can tell that this video will do the same for me. I take time for myself and let myself relax... as this is also highly recommended by the instructor herself, Callan Pickney.

Sean Connery retired from the 007 franchise after You Only Live Twice (replaced by George Lazenby in the underrated and underperforming On Her Majesty's Secret Service) but was lured back for one last official appearance as James Bond in Diamonds Are Forever. He's in fine form--cool but ruthless--in a sharp precredits sequence hunting the unkillable Blofeld (a suavely menacing Charles Gray in this incarnation), but the MacGuffin of a story (involving diamond smuggling, a superlaser on a satellite, and Blofeld's latest plot to rule the world ) is full of the groaning tongue-in-cheek gags that Roger Moore would make his signature. Goldfinger director Guy Hamilton keeps the film zipping along gamely from one entertaining set piece to another, including a terrific car chase in a parking lot, a battle with a pair of bikini-clad killer gymnasts named Bambi and Thumper, and a deadly game with a bizarre pair of fey, sardonic killers who dispatch their victims with elaborate invention. Jill St. John is the brassy but not too bright American smuggler Tiffany Case, and country singer and pork sausage king Jimmy Dean costars as a reclusive billionaire with not-so-subtle parallels to Howard Hughes. Shirley Bassey belts out the memorable theme song, one of the series' best. Connery retired again after this one but he returned once more, for Never Say Never Again 15 years later for a rival production company. --Sean Axmaker

"Jen is a cheerleader and Jack's on the football team. I got sane and everyone else went crazy?" That's how Andie (Meredith Monroe) sums up the topsy-turvy beginning to the third season of Dawson's Creek, in which nothing seems to be as it should and the series takes a major turn. It's junior year at Capeside High, and Jack (Kerr Smith), the town's resident gay teen, is indeed on the football team, and Jen (Michelle Williams) finds herself the object of unexpected and unwelcome popularity among her fellow students, especially the freshman quarterback (Michael Pitt). Pacey (Joshua Jackson) finds that his relationship with Andie can't be restored, and Dawson (James Van Der Beek) and Joey (Katie Holmes), after the events of last year, both think it's for the best that they're no longer together--they just never think it at the same time. Significant events include the friends starting to date outside their circle, Dawson's giving up some of his aspirations, a crisis for the school's new principal, a college tour, and the openings of the Potter Bed & Breakfast and Leery's Fresh Fish. But the Dawson-Joey relationship is still the heart of the Creek, and it comes to a head in one of the series' most memorable episodes, "The Longest Day," and then the season finale. Even in its first season without series creator Kevin Williamson, Dawson's Creek still had plenty of punch. On the DVDs, executive producer Paul Stupin does his usual commentary track for two episodes, and he's joined by Kerr Smith. They discuss the series itself, Smith's character, and Smith's subsequent career more than the events of the episodes. The second-season DVD set disappointed many fans by replacing a large portion of the music, and that trend continues in the third season, most surprisingly in the loss of Paula Cole's theme song. Instead, the opening credits feature Jann Arden's "Run Like Mad," which was used briefly in the international broadcast. Stupin explains the switch as an attempt to do something different and creative, but then admits there was also "a bit of an economic reality." Fortunately, the DVDs do have John Lennon's "Imagine" and Mary Beth Maziarz's "Daydream Believers"--songs that in dramatic context simply could not have been replaced--and it could be argued that a veteran viewer might skip the opening credits anyway. Still, for many fans, the music made Dawson's Creek what it was, and without all of it--especially the theme song--the DVDs seem like a compromise rather than a permanent keepsake. --David Horiuchi

No Description Available.Genre: TelevisionRating: NRRelease Date: 29-JUN-2004Media Type: DVD